A little story about a revolutionary kind of museum
“Do not touch!”—These three words are irrevocably associated with traditional museums. They denote an institutional balancing act. On the one hand, the historical objects and works of art that are gathered in museums are supposed to be made accessible to the public. On the other hand, the objects must be protected from the damage that might be done by overenthusiastic visitors. Despite what museologist Fiona Candlin describes as “low-key unauthorized touch”—stroking statues when unobserved, secretly tracing hieroglyphics with an index finger—a visit to a museum remains a mostly visual experience. → continue reading