James Bond on Nazi Germany

January will mark the 80th anniversary of the National Socialists’ seizure of power, and popular interest in the history of the era that followed is as vivid as ever: citation from a page of HHhH34-year-old Laurent Binet’s HHhH, winner of the prestigious Goncourt prize, reconstructs Operation Anthropoid, the skewed but ultimately successful mission of Czech resistance fighters to assassinate Reinhard Heydrich, National Socialist Obergruppenführer, Protector of Bohemia and Moravia, and head of the German secret services. (HHhH is an acronym for “Himmlers Hirn heißt Heydrich,” – Himmler’s brain is Heydrich – which is how Heydrich’s function was described in Nazi circles.)  continue reading


Bezalel’s Progeny

50 Jewish Artist You Should Know presents the lives and work of the most important Jewish painters, sculptors, and visual artists of the past two hundred years, as selected by the author Edward van Voolen,

family resting with packed suitcases

Maurycy Minkowski, After the Pogrom, 1910 © Prestel Verlag

curator at the Joods Historisch Museum, Amsterdam, as well as rabbi and teacher at the Abraham Geiger Kolleg, Potsdam. The book is a joy to read. The concise introduction sketches the history of Jewish art of the past three thousand years, describing major events and personalities – Bezalel, the first biblical artist, and his successors –, but avoiding the pitfall of seeking too much common ground among the artists based solely on their Jewish family backgrounds.

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David Hockney visits R.B. Kitaj’s “Obsessions”

Painting by Kitaj with David Hockney and a pink flower

R.B. Kitaj, The Neo Cubist, 1976-1987 © R.B. Kitaj Estate, Astrup Fearnley Collection, Oslo, Norway

On the 19th of October, just past 8 pm, I received the message “David is breaking away from his installation in Köln and will arrive at the Jewish Museum on Sunday 21st. between 11. – 11.30 am.”

Some time before, I had contacted the gallerist Peter Goulds to ask whether David Hockney might be interested in coming to Berlin to visit the R.B. Kitaj exhibition; I knew Hockney would be in Cologne to open his own exhibit “A Bigger Picture” at the Museum Ludwig. Though it seemed unlikely at first, Hockney was able to come. He brought his partner, his studio manager, and a chauffer, and appeared wearing an elegant grey double-breasted suit, a black Hawaii shirt with fantastic plants on it and a checked flat cap.

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