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View of a room of the exhibition GOLEM; Jewish Museum Berlin, photo: Yves Sucksdorff

Laura (23), Romania, architecture student

What is your impression of the exhibition?

The exhibition is fascinating and creepy at the same time. It makes you believe that the creatures displayed are real. Therefore, the atmosphere is very intense.

Which object or room has impressed you the most?

The room with the mirrors impressed me a lot. First, we were just playing around, which was fun. I could see myself and my friend in the mirror at the same time. But when I think of it now, it could be a metaphor for “looking beyond yourself.”

Do you know a sort of “Golem” from today?

As children, we have toys, dolls, and sometimes imaginary friends. We can talk to them and make them do what we want them to do.

Edgar (49), Germany, computer science

What was your impression of the exhibition? → continue reading

A Visit with David Benforado

David Benforado playing a nay flute, in the background one of his recent paintings “Brown-Orange,” 150 x 150 cm, oil on linen, 2015/2016; Jewish Museum Berlin, photo: Leonore Maier

“There is a whole world in five notes, just as there is a world in five colors.” With these words David Benforado, painter and musician, expressed his understanding of art to me. Painting Makams and Between Sound and Silence are, appropriately, the titles of his two series for the art vending machine, both of which have been available for sale this year at the Jewish Museum Berlin (more information about the art vending machine on our website). Music and painting are combined in small-scale oils, studies in color filled with energy and vitality.

Ever since David Benforado has been painting, he has been working with music. His atelier has again and again been the site of sessions with professional musicians, for instance during his time in Budapest with the accordion player David Yengiburgan and here in Berlin with pianist Antonis Anissegos. Seven years ago Benforado began studying the ney, a Middle-Eastern flute, and soon he encountered the world of Turkish makams and modal music from the eastern Mediterranean. This became a source of inspiration for his painting. → continue reading

An Interview with Eran Shakine

Today, on 27 October 2016 at 7 pm, our exhibition “A Muslim, a Christian, and a Jew” is opening with Eran Shakine in attendance. In the run-up to the opening, Gregor H. Lersch spoke with the Israeli artist about religion, art, and his sources of inspiration.

Eran Shakine; photo: Shay Kedem

Gregor H. Lersch: What does “A Muslim, a Christian and a Jew” (MCJ) show?

Eran Shakine: “A Muslim, a Christian and a Jew…” sounds like the beginning of a joke. But that is just to get your attention.

The show is an installation consisting of 40 paintings, drawings, and three metal cut-out sculptures.

The three similar figures, their religious background unidentifiable, create situations by means of a vivid and comical body language. In every drawing they witness and experience major events in history or philosophy, or meet important figures like Moses, Buddha or Nelson Mandela. The three heroes, dressed as 19th century gentlemen, help each other in their journey to find the love of God.

Here, there are no stereotypes, no one is the laughingstock, everyone is the same; we see three human beings who explore life, nature, culture and philosophy, out of shared curiosity, without trying to prove each other wrong.

Why did you start to work on MCJ? → continue reading