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During the week of October 21 to 27, 2013 the Academy of the Jewish Museum Berlin, in cooperation with Kulturkind e.V., will host readings, workshops, and an open day for the public with the theme “Multifaceted: a book week on diversity in children’s and young adult literature.” Employees of various departments have been vigorously reading, discussing, and preparing a selection of books for the occasion. Some of these books will be introduced here over the course of the next few months.
The German cover of the young adult book A Time of Miracles shows a girl balancing in shallow water on a barrel. It strikes me as a pretty, melancholy cover. However, it doesn’t fit the book. (The beach plays no role in the story and the protagonist is a boy.) I hand the book to my 12-year-old daughter and she thinks it looks like a book for adults. My question – whether this is a good or a bad thing – is answered with a shrug.
Never judge a book by its cover.
Crack it open and read: → continue reading

Linguistic Entanglements in the Animal Kingdom

During the week of October 21 to 27, 2013 the Academy of the Jewish Museum Berlin, in cooperation with Kulturkind e.V., will host readings, workshops, and an open day for the public with the theme “Multifaceted: a book week on diversity in children’s and young adult literature.” Employees of various departments have been vigorously reading, discussing, and preparing a selection of books for the occasion. Some of these books will be introduced here over the course of the next few months.
With strange combinations of letters on the feathers, fur, and skin of different animals who stand lost upon a map: I was so drawn to the cover picture of Gaggalagu that I instantly reached for it in our reading group.

Released in 2006 by kookbooks, through a publisher that until now I only associated with volumes of poetry for adults, it is very appealingly and elaborately designed. It was a surprise to learn that this little press also publishes children’s books. Before this, I had also never heard of the author, Michael Stavarič, and the illustrator, Renate Habinger, was new to me as well. → continue reading