“This four-minute performance means three to four months of training”

Logo der Jewrovision 2017“Jewrovision”, the largest singing and dancing competition for Jewish youth in Europe, will take place this year for the 16th time. Last year an audience of over 2,000 gathered at the Rose Garden Hall in Mannheim, accompanying the brilliant stage show produced by youth centers with frenetic applause. It’s hard to imagine that Jewrovision 2002 was just one of a number of evening programs at a Jewish recreational camp called Machané. Back then, at a recreational center in Bad Sobernheim (not far from Frankfurt), six groups from various cities appeared on a stage just three yards wide. Today, only 15 years later, there are 18 teams presenting their multi-media performances on enormous stages in much larger venues. An extraordinary development.  continue reading


Painting Music

A Visit with David Benforado

David Benforado with a nay flute in front of an oil painting

David Benforado playing a nay flute, in the background one of his recent paintings “Brown-Orange,” 150 x 150 cm, oil on linen, 2015/2016; Jewish Museum Berlin, photo: Leonore Maier

“There is a whole world in five notes, just as there is a world in five colors.” With these words David Benforado, painter and musician, expressed his understanding of art to me. Painting Makams and Between Sound and Silence are, appropriately, the titles of his two series for the art vending machine, both of which have been available for sale this year at the Jewish Museum Berlin (more information about the art vending machine on our website). Music and painting are combined in small-scale oils, studies in color filled with energy and vitality.

Ever since David Benforado has been painting, he has been working with music. His atelier has again and again been the site of sessions with professional musicians, for instance during his time in Budapest with the accordion player David Yengiburgan and here in Berlin with pianist Antonis Anissegos. Seven years ago Benforado began studying the ney, a Middle-Eastern flute, and soon he encountered the world of Turkish makams and modal music from the eastern Mediterranean. This became a source of inspiration for his painting.  continue reading

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“I was never disengaged”

A Conversation with Rachel Heuberger on the Biblical Story of the Binding of Isaac and the Exhibition “Obedience”

An old man and a young man, a person dressed in white and a man dressed in dark colours with long red hair and a donkey, all moving on tarmac

Still from a film in the installation “Obedience”
© S. Boddeke & P. Greenaway, photo: Digidaan

The exhibition “Obedience. An Installation in 15 Rooms by Saskia Boddeke & Peter Greenaway” has been open for some time now at the Jewish Museum Berlin. As with every exhibition, this one meets the approval of our visitors to various degrees. Unlike other exhibitions however, the feedback – which often reaches us later – is different than what we might have anticipated. Indeed, this was the case with Dr. Rachel Heuberger, the curator of the Hebraica and Judaica collections at the University Library of Frankfurt. We spoke right after her visit about her thoughts and impressions.

Mirjam Wenzel: You just saw the exhibition “Obedience” by Saskia Boddeke and Peter Greenaway. How would you describe it?  continue reading