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Sexual Diversity in the Collection of the Jewish Museum

On July 28th, Christopher Street Day will take place for the 40th time in Berlin. Like every year, it will feature demonstrations for the rights of gay, lesbian, bisexual, and transgender people, this time under the slogan My body—my identity—my life! (Link to this year’s CSD political points (in German)) As ever, its attendees publicly display and celebrate sexual diversity.

The collection of the Jewish Museum includes items related to people who would possibly identify as LGBTI today, but unfortunately they aren’t very visible. “Homosexuality” is a keyword in the museum database, but it is hardly used.

Felice Schragenheim and Elisabeth Wust on an excursion to the Havel River, just hours before Schragenheim’s arrest, Berlin, 21 August 1944; Jewish Museum Berlin, gift from Elisabeth Wust

Most of the items associated with this keyword come from the collection on Felice Schragenheim (1922–1945) and Elisabeth (Lilly) Wust (1913–2006). Erica Fischer’s 1994 book Aimée & Jaguar made their story known, and the 1999 film of the same name made it famous.

Photos and documents record their romantic relationship, including numerous love letters, some of them sealed with Felice’s kiss.

The two “marriage contracts” that the women signed with each other in 1943 are highly unusual. The 21-year-old Felice composed hers in the form of a decalogue with ten promises. The first line reads “I will always love you.” → continue reading

A conference on anti-Semitism-critical adult education

My W. Michael Blumenthal Fellowship at the Jewish Museum Berlin on the topic Didactics of the Middle East Conflict ended in the beautiful month of May. During the past seventeen months, I have been intensively engaged with continuing education on this politically contentious and very emotionally charged topic, as well as with the question of what we as teachers of social studies or educators working outside of school systems can or should not do, in order to best approach the topic of the Near-East conflict with students (more at: www.jmberlin.de/fellow-rosa-fava-and-her-research).

Discussion of the participants; photo: Berivan Köroğlu

In retrospect, one of the highlights of the conference, which I organized in early April 2018 in order to bring together educators focusing on the Middle East conflict and Anti-Semitism with museum employees working in the areas of education and the Academy programs. Since the first conference in September 2017, the parameters had changed somewhat, since the opening of the Welcome to Jerusalem exhibition made the Middle East conflict an (even bigger) presence at the Jewish Museum. → continue reading

On the difficulties the organizers of the “Welcome to Jerusalem” exhibition encountered doing justice to the ideal of justice

The much-discussed sign outside the museum, Jewish Museum Berlin, photo: Jule Roehr

In the Islamic tradition and in the Koran itself, the biblical story of David and Uriah is told in a metaphorical form that differs from the version in the Bible (Koran: Sura 38/21–25): two brothers come to King David and ask him to settle a dispute between them. One of them describes the situation. He tells David that his brother has 99 ewes, but he himself only has one. Now his brother was pressuring him to give him his only ewe. Directly after this brief depiction, David passes his judgment: the one brother’s desire to add the one ewe to his 99 was an injustice to the other brother. The judgment could have been the end of the story, had David not suddenly realized that his decision was unjust. He regretted it deeply. Many Muslim commentators have discussed the sudden turn in the story. One explanation for why the judgment is unjust despite the clarity of the situation is that David made his decision after hearing only one side. In this interpretation, the moral of the story is that in conflicts or disputes, both sides must be allowed to present their perspectives and arguments. → continue reading