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Victor Alaluf in his studio in Berlin-Friedrichshain © Jewish Museum Berlin, photo: Denis Grünemeier

A retro-style armoire with a skull sitting on top of it—a piece from the collection of Victor Alaluf, an artist with Argentinian roots whom I interviewed recently in his studio in Berlin-Friedrichshain.

In his work—installations, mainly, comprised of drawings, collage, sculpture, video art and everyday objects—Alaluf addresses the existential issues raised by our experience of death, pain, and the ephemeral and fragile nature of all living creatures. His choice both of material and objects is decisive. He frequently chooses brittle materials, such as glass or ceramics, as well as organic matter, such as human hair and blood. Alaluf has a particular penchant for → continue reading

Inés Garland’s Novel for Young Adults about Friendship and Love

During the week of October 21 to 27, 2013 the Academy of the Jewish Museum Berlin, in cooperation with Kulturkind e.V., will host readings, workshops, and an open day for the public with the theme “Multifaceted: a book week on diversity in children’s and young adult literature.” Employees of various departments have been vigorously reading, discussing, and preparing a selection of books for the occasion. Some of these books will be introduced here over the course of the next few months.

Why are young adult novels touching in a different way than books for adults? And why are they touching not only for young people?
Is it that the writers of stories for young adults are less embarrassed to use everything they have to elicit strong feelings in their readers?
Barring Harry Potter, I hadn’t read any young adult books since my own adolescence, until reacquiring a taste for them over the course of our reading marathon. A taste for giving myself over completely to the beautiful, tragic, comic destinies of the characters, for succumbing to a story. For example, to the story of Alma in Inés Garland’s book Piedra, papel o tijera [‘Rock, Paper or Scissors’] (in the original Spanish, or Wie ein unsichtbares Band [‘Like an Invisible Ribbon’] in the German edition): → continue reading