A Film Still in the Mail Box

Daphna Westerman’s Postcards in Motion

black white photograph of Daphna Westerman’s postcards, front view

One of Daphna Westerman’s postcards, front view. © Jewish Museum Berlin, Photo: Lisa Albrecht

Did you find a postcard like this one in your mail box as well? Or have you even pulled the entire road movie by Daphna Westerman out of our Art Vending Machine? By now the Machine is sold out completely. But no need to stop the movie! Let’s just rewind a little…
Before the work of the Israeli artist ended up in the museum’s Art Vending Machine, I received a postcard with a black and white photograph. Except for my address and the title, “U-Bahn Berlin. From In and between the cities, 2011. A film by Daphna Westerman,” there was nothing more to it. A few days later more cards were in the mail. Time to phone Daphna.  continue reading


Photographs that peel away the masks – A conversation with Ruthe Zuntz

colour photograph with a portait of a young women

Portrait of Ruthe Zuntz © Ruthe Zuntz

Less than three months after our art vending machine was filled with another 1,400 commissioned art objects, it has sold out. Visitors to the museum might have pulled a picture by Ruthe Zuntz from the machine. Pieces from her “PHOTOMAT: Challenging WallMAT” series, as the photographer entitled her square Dibond aluminum prints which cover ten different motifs, could be sparkling in many new households – like Ruthe herself whom I recently met.

Ruthe, you’re actually known for large, space-filling installations. And yet, for the art vending machine you produced a series of small photo prints. How did that happen?

I found the project really exciting because it matches one of my basic philosophies:  continue reading


Three Images, Two Artists and One Wall

Portrait of an young man with beard, looks in the right direction

David Moses © photo: B.Gruhl

The construction and the fall of the Berlin Wall have occupied two generations of artists in the Moses family: in 1963/64 Manfred Heinz Moses created “The Balcony,” an etching on which, fifty years down the line, his grandson David Moses was to base a woodcut and polychrome etching. The latter works are likewise called “The Balcony” and they number among the unique pieces developed by seven artists resident in Berlin for the art vending machine on display in our permanent exhibition. A total stock of 1,400 artworks has been sold since early summer.

Grandpa Moses created his etching when still reeling from the shock of a trip to Berlin shortly after the Wall was built. It shows  continue reading