Let’s Wrap This Thing Up!
The Vielfalt in Schulen (Diversity in Schools) Program—Almost Over and Done

colour photograph with three persons

Staff of the Vielfalt in Schulen (Diversity in Schools) program: Roman Labunski, Rosa Fava and Meral El, photo: Violetta Gershman-Labunski

Clearing up is no joke. We, the Vielfalt in Schulen or, in brief, ViS project team, are currently faced with photographs, magazines, books, and documents without end, as well as all the rest of the stuff that has piled up in our offices over the last three years. What shall we do with it all? Which things are of interest and viable in the museological sense?  continue reading


“Part of something greater”: A conversation about a ritual circumcision that vanquished the past

Coloured photograph of the circumsion ceremony in the synagogue

“A ceremony with friends and family”: The bris of Jaal, photo: William Noah Glucroft

In the last few weeks at “Blogerim” we have reported on the discussions that the subject of circumcision can prompt. We shouldn’t lose sight, though, of the fact that the ritual is a matter of course for most Jewish and Muslim families – as, for example, for Amitay and Meital from Israel. I asked the couple what their son Yaal’s bris was like for them.

In mid-December you had Yaal circumcised by a mohel at the Fraenkelufer Synagogue. Did you have to think about it for a long time?

Meital: For me, there was no question.

Amitay: Same here. But when the time approached, I did have some questions.

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Ich glaub’ nie mehr an eine Frau (Never Trust A Woman)—The Sound for the Film

There are films slumbering in an archive somewhere, waiting to be discovered. And there are films that have sunk into oblivion but then suddenly pop up again, in the form of a soundtrack.

packages of schellac records

The schellac records, as found © Jewish Museum Berlin, Photo: Regina Wellen

Recently, when stock was being moved to another depot, our colleague Regina Wellen looked over the collection of 78rpm schellac records with a view to devising a new way of storing them. She thereby came across eleven not yet inventoried records, much larger than the usual sort and with a label suggestive of some other purpose than easy listening on the home gramophone. Luckily for us, Regina was quickly able to establish that these were examples of the sound-on-disc recordings played in cinemas as an accompaniment to screenings of otherwise silent films—synchronously, thanks to the built-in start signal. One of the twenty numbered boxes on each label used to be checked after each screening, so as to ensure that a worn-out record would be replaced in good time. After Regina had dry-cleaned the records and prepared  continue reading