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Letter accompanying the award certificate for the Order of the Red Eagle, Fourth Class, bestowed upon Emmanuel Mendel © Jewish Museum Berlin, gift of Wolfang Schönpflug, photo: Ulrike Neuwirth

A huge number of objects enter the collection of the Jewish Museum Berlin every year. Each must be inventoried and studied. Many of these items have a long history, often having circled the globe. Having survived flights, emigration and decades of storage, some documents are in such bad shape, they cannot be used without further damaging them. As paper conservators, our task is to at least conserve, if not restore, these objects, so that they can again be handled without exposing them to additional wear and tear.

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The author © David Ranan

For his book, “The shadows of the past are still long: Young Jews on their lives in Germany,” culture researcher, David Ranan, conducted interviews with Jews between 20-40 whose grandparents survived the Holocaust and then settled in Germany after the war. The London-based author will present his book at the Academy of the Jewish Museum Berlin on 7 July 2015, as part of the “New German Stories” series. In advance, we asked him three questions.

Julia Jürgens: Mr. Ranan, one question you asked your interviewees deals with the “packed luggage” the first and second generation seem to have at the ready, an expression of their inner conflict between being able to safely stay or having to again flee. Is there still this conflict within the third generation or how else would you describe its sense of belonging to Germany? → continue reading

Hadas Tapouchi © Katja Täubert

History cannot be captured in a single form. Not in brass, not in metal. That is what Hadas Tapouchi says. The Berlin-based Israeli artist believes that monuments and inscriptions miss the actual sense of commemoration. This type of remembrance would be an inevitable path towards forgetting.

Undoubtedly, Hadas works against forgetting. Upon our first meeting at her Tel Aviv apartment about four years ago, the artist’s rendered self-portrait in prisoner’s garb immediately jumped out at me. It was one of the precursors to her project, “The Third Generation“. A countless number of portraits since followed – portraits of mutual friends, the author himself, as well as young men and women between Berlin, Tel Aviv and Ramallah. → continue reading