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The 14th European Maccabi Games (EMG) are beginning tomorrow, 27 July 2015, in Berlin. More than 2,000 Jewish athletes from 36 countries will compete in 19 sports from football to fencing to chess. To accompany the games Tamar Lewinsky and Theresia Ziehe are producing a series of portraits with interviews, introducing a new member of the German delegation from Berlin every day here on the blog. They conducted the interviews on the grounds of the TuS Maccabi in Berlin’s Grunewald where Stephan Pramme also shot the portraits.

Alec-Ilya Pivalov (28), soccer

Alec-Ilya (28), soccer © Jewish Museum Berlin, photo: Stephan Pramme

Alec, why are you taking part in the European Maccabi Games?

It’s a terrific athletic event where you can meet a lot of interesting people from many different countries. By now there’s also a familial atmosphere in the German delegation so it’s just really nice to have the opportunity to participate. And of course it makes you and your family proud.

In 1936, Jewish athletes weren’t permitted to participate in the Olympic Games. Does the fact that some of the competitive events will take place in Berlin’s Olympic grounds – which were built for that Olympics – play a personal role for you?

There is an ambivalence because of course I know the history of this stadium. But in the meantime I associate it with other events: → continue reading

At the Second Zionist Conference on 28 August 1898 in Basel, Switzerland, Max Nordau dedicated a passionate speech to the subject of muscular Judaism. The doctor, publicist and co-founder of the young Zionist movement said:

Herbert Sonnenfeld: Boxer portrait, Berlin 1935
© Jewish Museum Berlin, purchased with funds provided by Stiftung DKLB

“Zionism breathes new life into Judaism. This much I am sure of. It does this morally by refreshing the ideals of the People, physically by the physical education of our offspring, who shall reestablish a bygone muscular Judaism.”

This should therefore not only replace the widespread image of the weak Jew but also support the creation of a new, physically strong “Judaism.” It didn’t take long for this to be realized: just three months following Nordau’s address, the first Jewish sports association was founded in Berlin. It was named Bar Kokhba, after the leader of Judean Jewish resistance against Rome from 132-135 ACE. In a report titled, “Muscular Judaism,” for the new association newspaper, Jüdische Turnzeitung, Nordau described it as the “last, globally historic embodiment of a battle-hardened, weapon-ready Judaism.” He called on Jews to “connect with our oldest traditions: (Then) we’ll again be broad-chested, strong armed, bold-looking men.” → continue reading

It always goes by so quickly: it feels as if the third round just started, of the art vending machine in the Jewish Museum Berlin’s permanent exhibition. But in fact it’s almost finished and sold out – 2,600 items since April! That’s certainly enough reason to pop by to visit Howard Katz and ask him some questions, especially considering that he was the first of the now 22 artists we’ve featured to use music…

Howard Katz © Yoann Trillu

Dagmar Ganßloser: Howard, you work as an artist in many different genres. You’re a dancer, performer, and choreographer, but you’re also an active visual artist, and on top of that a singer-songwriter. Right now the art vending machine has your “Mix Tape” as well as “4 short films”. How did you choose those?

Howard Katz: It was clear to me from the start that I wanted to present my music in the art vending machine. The 17 songs on “Mix Tape” came into being over the last twenty years plus and – the same as “4 short films” – they’re mainly about experiences I’ve had since I’ve lived in Berlin, so since the mid-1990s. The production was uncomplicated and I made the selection intuitively, from the heart. I made the four videos for my songs completely on my own, with my telephone – it was an opportunity to try out something new. → continue reading