Fleeing – Then and Now

An Internet Harvest for the Day of the Refugee

Woodcut with five tired people, two sitting on the floor, one leaning on a wooden box and two standig in the background

“Refugees”, color woodcut by Jakob Steinhardt, 1946, purchased with funds provided by Stiftung DKLB. You can find this and other related objects in our German-language collection database.

This year’s Day of the Refugee takes place today, 2 October 2015 as part of Intercultural Week, with the slogan “Refugees Welcome!” We have taken this as an occasion to go through our own and other websites and blogs, gathering items on this subject. Since we work at a Jewish museum, stories about fleeing are part of our ‘everyday business’: practically all of the family collections given to our museum tell stories of persecution and flight, going beyond mere statistics to depict the fates of individuals. Letters, travel documents, photographs, and personal memorabilia tell of the desperate search for a country to emigrate to, failed or successful emigrations, the often difficult life in a foreign country, the search for relatives, friends, and former neighbors, now scattered across the entire world. We tell these stories in our permanent exhibition and they have also been the subject of various special exhibitions. At the moment, for instance, in our current cabinet exhibition “In a Foreign Country” you can see publications that originated in Jewish Displaced Persons Camps. Jewish men and women waited there for their passage to Palestine or later Israel, to the USA and other countries, where they hoped to start a new life after the Shoah.

In addition to our exhibitions, we also make stories of flight and displacement visible online, for example with a selection of objects:  continue reading


The Art Vending Machine Gets an Extended Run with “Glass Interiors” by Daniel Wiesenfeld

A man stands next to an electric kiln

Daniel Wiesenfeld at work. The freshly baked glass plates cool off in the oven, 2015
© Jewish Museum Berlin, photo: Anna Golus

The last few weeks, while people everywhere were sizzling in the summer sun, Daniel Wiesenfeld was ‘baking’ a hundred new works of art for our art vending machine. What good luck, meanwhile, that the machine is nearly sold out!

Daniel is presenting the Jewish Museum Berlin with what is already the third series of works for the vending machine, all three of which are incomparable. In April we received a hundred oil paintings with self-portraits of the artist bearing a variety of poignant grimaces, along with a hundred charcoal drawings featuring a number of different motifs. For this new series, Daniel decided on a technique that’s new not only for him but for the vending machine as well: stained glass.

I visited Daniel a few days ago in Berlin’s Tempelhof neighborhood.  continue reading


“I was never disengaged”

A Conversation with Rachel Heuberger on the Biblical Story of the Binding of Isaac and the Exhibition “Obedience”

An old man and a young man, a person dressed in white and a man dressed in dark colours with long red hair and a donkey, all moving on tarmac

Still from a film in the installation “Obedience”
© S. Boddeke & P. Greenaway, photo: Digidaan

The exhibition “Obedience. An Installation in 15 Rooms by Saskia Boddeke & Peter Greenaway” has been open for some time now at the Jewish Museum Berlin. As with every exhibition, this one meets the approval of our visitors to various degrees. Unlike other exhibitions however, the feedback – which often reaches us later – is different than what we might have anticipated. Indeed, this was the case with Dr. Rachel Heuberger, the curator of the Hebraica and Judaica collections at the University Library of Frankfurt. We spoke right after her visit about her thoughts and impressions.

Mirjam Wenzel: You just saw the exhibition “Obedience” by Saskia Boddeke and Peter Greenaway. How would you describe it?  continue reading