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The idea that revolution – real revolution – lies in an accumulation of minor changes in daily life, as opposed to violent uprisings in the streets, is finding increasing popularity, in particular among the media literate who proliferate trends with ever-increasing technical expertise. This idea is Adam Thirlwell’s point of departure in his most recent publication, Kapow!, a novel about the Arab Spring, set in Tahrir Square in 2011.

Accordingly, riots play only a minor role in the novel. For Thirlwell, the true needle bursting fundamentalist Islamic bubbles one after another, is pop culture. “Kapow!” spells out the cartoon sound for violence.

Uprisings are both the backdrop and a metaphor for the story, which is a love triangle. Nigora, the heroine, is married to Rustam, a media-grouch, who stands for everything old, such as unfashionable gym socks, cassettes, and even burkas. Nigora finds herself increasingly attracted to Ahmad, a tech-savvy hipster in Brooklyn glasses, who makes movies on his digital camera. Ahmad believes that private life – meaning drugs and food, books and movies, fashion and sex – is “larger than the revolution.” It is. His activities have expanded his horizon beyond the borders of Egypt and they connect him in style and thinking with youth cultures around the world. → continue reading

Two doilies from the Plesch family household, from the first half of the 20th century, given by Janos and Melanie Plesch in memory of Prof. Dr. Peter H. Plesch.

You can often find a number of Jewish Museum employees in the lunchtime crowd at the canteen of the European Patent Office at Hallesches Tor in Berlin. The food there is excellent; the noise, on the other hand, is excessive: rattling silverware, clattering dishes, and the voices of diners whirring together into one great drone.

In the dining room of the Berliner doctor family Plesch such a hubbub would have been unthinkable. Their secret: clatter-doilies. → continue reading

January will mark the 80th anniversary of the National Socialists’ seizure of power, and popular interest in the history of the era that followed is as vivid as ever: 34-year-old Laurent Binet’s HHhH, winner of the prestigious Goncourt prize, reconstructs Operation Anthropoid, the skewed but ultimately successful mission of Czech resistance fighters to assassinate Reinhard Heydrich, National Socialist Obergruppenführer, Protector of Bohemia and Moravia, and head of the German secret services. (HHhH is an acronym for “Himmlers Hirn heißt Heydrich,” – Himmler’s brain is Heydrich – which is how Heydrich’s function was described in Nazi circles.) → continue reading