Blogerim

The Blue Room – things remain exciting! Photo: Barbara Rösch

A boat made of wood and painted canvas strips, a yodeling flamingo, a photograph of turquoise tiles from a Berlin subway station, two cake replicas, metamorphosed Ugaritic letters, a fisherman, a play. What do they all have to do with each other? They are all going to be exhibited at the Jewish Museum Berlin this summer.

And what do a car-body painter, well known in his native Iraq, an architect from Syria, a young Egyptian chef, a painter from the former Soviet Union, a Greek doctoral student, and a social worker from right here in Berlin have in common? They will all be exhibiting at the Jewish Museum Berlin this summer.

On July 12 a group exhibition entitled The Blue Room opens. It will be the high point of a meeting project that I have been supervising since January. → continue reading

Three Question for Anthropologists Dr. Dani Kranz and Katja Harbi

Photo: Katja Harbi

Our Academy programs regularly introduce new scholarship examining contemporary issues of migration and diversity. On May 4, University of Wuppertal anthropologists Dr. Dani Kranz and Katja Harbi will be presenting the results of the study they conducted, entitled Israeli Migration to Germany since 1990, with a lecture and show of photographs at the Jewish Museum Berlin. The research was largely about these immigrants’ identities and the significance of the Shoah for their lives in Germany, as well as the political and ideological debates occurring around them in Israel and Germany. We put three questions to the two anthropologists in advance of their presentation: → continue reading

View from the Academy of the Jewish Museum Berlin towards the Springer building with the lit-up sign, #FreeDeniz; Jewish Museum Berlin, photo: Stefanie Haupt

As I leave my office at the Jewish Museum Berlin, emerging from the W. Michael Blumenthal Academy onto the street, the hashtag “#FreeDeniz” beams towards me from an illuminated black-on-turquoise-green display on the Axel Springer building. The first time I saw it, I was cheered by the signal that the publishing house Axel Springer SE* was calling for the release of Die Welt’s correspondent in Turkey, Deniz Yücel. But each day seeing the display has gotten sadder. I’ve known Deniz Yücel since 2003, when — together with other German- and Turkish-speaking Berliners — he organized bilingual protests against the bomb attacks on the two Istanbul synagogues, Neve Shalom and Beth Israel, on November 15 of that year. Twenty-four people were killed in those attacks and at least 300 wounded.

Deniz and I haven’t had contact for quite awhile. But since mid-February, through the news of his imprisonment for “terrorist propaganda” and the car procession protests that followed it, as well as conversations with friends and of course the illuminated sign, memories from the period in 2003 and 2004 when we interacted almost weekly having been coming back. → continue reading