Art in Architecture
Design competition for display cases in the entrance and exit areas of the W. Michael Blumenthal Academy

Rustling Papers, competition entry by Judith Raum, Berlin 2023
Back in November 2022, the Jewish Museum Berlin (JMB) invited ten artists and artist duos to design artworks for the display cases in the entrance and exit areas of the W. Michael Blumenthal Academy. The works were to reflect the functions and activities of the Academy. The Federal Government Commissioner for Art and Media made a total of € 73,000 available for the realization of the project Kunst am Bau (“Art in Architecture”).
Past exhibition

Where
W. M. Blumenthal Academy, Diaspora Garden
Fromet-und-Moses-Mendelssohn-Platz 1, 10969 Berlin
(Opposite the Museum)

Design presentation Kunst am Bau (Art in Architecture) 2023, Jewish Museum Berlin, photo and exhibition design: Anna Reindl
The Winners
First prize in the competition to design the entrance area of the W. Michael Blumenthal Academy at the JMB in Berlin-Kreuzberg goes to Berlin-based artist Judith Raum (*1977 in Werneck, Germany) for her entry Rustling Papers. The Academy houses the JMB’s archive, education department and library and organizes events to complement the museum's programs.
Judith Raum’s two-part design Rustling Papers is a visual reflection of the Academy’s archive and library, with larger-than-life books, papers and files filling the display cases as if emerging at an angle from the wall and floor. The cases themselves resemble giant shipping crates or book boxes, echoing the truncated cubes of Daniel Libeskind’s architecture. Sculptural objects, walls, floors and ceilings are painted in a pale color, so that the cases radiate into the surrounding area: “It all gives off a pale yellow light, which is disconcerting and arouses curiosity”, says Judith Raum. The sculpture is combined with an audio recording which translates the Academy’s activities into mini-performances. These include readings from documents, as well as statements by Academy staff, spoken by actors and capturing their work, experience and relationship to museum exhibits in a series of short fictional dialogues. The jury was impressed by the artistic technique of making the Academy’s work and materials speak in the form of whispering sources, inspiring the visitor’s own thoughts and speech. They particularly commended the combination of sculptural setting and immaterial narration which “appeals to visitors on different levels in a manner that is at once clear and complex.”
Second prize was awarded to artist Maximiliane Baumgartner for her entry With the Book Trolley.

Judith Raum, winner of the Kunst am Bau competition to design the entrance area of the JMB’s W. Michael Blumenthal Academy, photo: Samira Mosca
Competitors
Artists and artist duos
- Maximiliane Baumgartner, With the book trolley, 2023, competition entry; Düsseldorf 2023
- bellu&bellu (Artistic Duo), Untitled, 2023, competition entry Berlin 2023
- Anca Benera und Arnold Estefan (Artistic Duo), THE IMPOSSIBLE ARCHIVE, 2023, competition entry; Vienna 2023
- Arnold Dreyblatt, RESERVE_VOIR, 2023, competition entry; Berlin 2023
- Ofri Lapid and Marija Petrovic (Artistic Duo), Fragmente des Alltäglichen (“Everyday Fragments”), 2023 competition entry; Berlin 2023
- Michaela Melián, Ein Ort für Gustav Metzger (“A Place for Gustav Metzger”), 2023, competition entry; Hamburg and Munich 2023
- Judith Raum, Rustling Papers, 2023, competition entry; Berlin 2023
- Aura Rosenberg, o. T., 2023, competition entry; New York und Berlin
- Silke Wagner, Schalom Shalom, 2023, competition entry; Frankfurt am Main 2023
The Jury
Specialist Judges
- Alice Koegel, Exhibition Director and Curator / Nationalgalerie / Hamburger Bahnhof – Museum für Gegenwart, National Museums in Berlin – Prussian Cultural Heritage Foundation
- Prof. Karina Nimmerfall, University of Cologne, Professor for Interdisciplinary Artistic and Media Art Practice and Theory
- Marcel Odenbach, artist, Emeritus Professor at Düsseldorf Art Academy
Expert Judges
- Hetty Berg, Jewish Museum Berlin Foundation, Director
- Shelley Harten, Jewish Museum Berlin Foundation, Curator
Deputy Judge
- Prof. Dr. Fiona McGovern, Assistant Professor of Curatorial Practice and Art Education, University of Hildesheim
Competition Entries

Michaela Melián, Ein Ort für Gustav Metzger (“A Place for Gustav Metzger”), 2023
Michaela Melián’s design focuses on the oeuvre of Jewish conceptual artist Gustav Metzger (1926–2017), who came to England in 1939 on a children's transport to escape Nazi persecution. Melián sees Metzger’s critical and participatory media practice as combining research, mediation and activism. In tribute to Metzger, her design comprises an auto-creative floor installation for the outside area and a display case installation featuring freely suspended glass panes printed with objects trouvés, photos of happenings and other works by Metzger. In addition, the exit display case is to be staged as a place of participation and used in a hands-on way.

Michaela Melián, Ein Ort für Gustav Metzger (“A Place for Gustav Metzger”), 2023
Michaela Melián’s design focuses on the oeuvre of Jewish conceptual artist Gustav Metzger (1926–2017), who came to England in 1939 on a children's transport to escape Nazi persecution. Melián sees Metzger’s critical and participatory media practice as combining research, mediation and activism. In tribute to Metzger, her design comprises an auto-creative floor installation for the outside area and a display case installation featuring freely suspended glass panes printed with objects trouvés, photos of happenings and other works by Metzger. In addition, the exit display case is to be staged as a place of participation and used in a hands-on way.

Michaela Melián, Ein Ort für Gustav Metzger (“A Place for Gustav Metzger”), 2023
Michaela Melián’s design focuses on the oeuvre of Jewish conceptual artist Gustav Metzger (1926–2017), who came to England in 1939 on a children's transport to escape Nazi persecution. Melián sees Metzger’s critical and participatory media practice as combining research, mediation and activism. In tribute to Metzger, her design comprises an auto-creative floor installation for the outside area and a display case installation featuring freely suspended glass panes printed with objects trouvés, photos of happenings and other works by Metzger. In addition, the exit display case is to be staged as a place of participation and used in a hands-on way.

Arnold Dreyblatt, RESERVE_VOIR, 2023
Arnold Dreyblatt’s design RESERVE_VOIR contrasts historical images of Jewish libraries and archives from the pre-war period with a presentation of the content and activities of the Academy as a contemporary space of preservation, learning and exchange.

Arnold Dreyblatt, RESERVE_VOIR, 2023
Arnold Dreyblatt’s design RESERVE_VOIR contrasts historical images of Jewish libraries and archives from the pre-war period with a presentation of the content and activities of the Academy as a contemporary space of preservation, learning and exchange.

Ofir Lapid and Marija Petrovic (artist duo), Fragmente des Alltäglichen (“Everyday Fragments”), 2023
Ofri Lapid and Marija Petrovic‘s entry focuses on light as motif, metaphor and immediate experience: Light, with its unexpected, invisible qualities synonymous with the Academy’s memory work, is showcased in an arrangement of light video projections and reflective surfaces.

Ofir Lapid and Marija Petrovic (artist duo), Fragmente des Alltäglichen (“Everyday Fragments”), 2023
Ofri Lapid and Marija Petrovic‘s entry focuses on light as motif, metaphor and immediate experience: Light, with its unexpected, invisible qualities synonymous with the Academy’s memory work, is showcased in an arrangement of light video projections and reflective surfaces.

Aura Rosenberg, Untitled (dedicated to Walter Benjamin, Berlin Childhood Around 1900), 2023
Aura Rosenberg’s entry is dedicated to Walter Benjamin‘s publication Berlin Childhood Around 1900. Twelve lenticular prints (also known colloquially as “flip images”) each combine two images which – depending on the angle from which they are viewed – flip from one to the other. The motifs move between passages from Benjamin's Berlin Childhood and photographs illustrating the quotations.

Aura Rosenberg, Untitled (dedicated to Walter Benjamin, Berlin Childhood Around 1900), 2023
Aura Rosenberg’s entry is dedicated to Walter Benjamin‘s publication Berlin Childhood Around 1900. Twelve lenticular prints (also known colloquially as “flip images”) each combine two images which – depending on the angle from which they are viewed – flip from one to the other. The motifs move between passages from Benjamin's Berlin Childhood and photographs illustrating the quotations.

Anca Benera and Arnold Estefan (artist duo), THE IMPOSSIBLE ARCHIVE, 2023
Anca Benera and Arnold Estefan’s entry THE IMPOSSIBLE ARCHIVE is partly related to a personal family story and partly inspired by Libeskind’s architecture in its use of sharp angles. Personal objects of the Diaspora are cut away or shown in cross-section, as if bisected by the sharp angles of the architecture. The fragmentary living room serves as an open archive in which other memories, in the form of objects, printed matter, books, photos, sound and voice recordings, are collected.

Anca Benera and Arnold Estefan (artist duo), THE IMPOSSIBLE ARCHIVE, 2023
Anca Benera and Arnold Estefan’s entry THE IMPOSSIBLE ARCHIVE is partly related to a personal family story and partly inspired by Libeskind’s architecture in its use of sharp angles. Personal objects of the Diaspora are cut away or shown in cross-section, as if bisected by the sharp angles of the architecture. The fragmentary living room serves as an open archive in which other memories, in the form of objects, printed matter, books, photos, sound and voice recordings, are collected.

bellu&bellu (artist duo), Untitled, 2023
The central idea and motif of Matei Bellus and Andrea Bellus’ (bellu&bellu) untitled entry is furnished by the Ernst Bloch quotation: “… all things must simply be shifted a little”. The visual and spatial experience of visitors entering and exiting the Academy draws attention to fleeting and celestial phenomena.

bellu&bellu (artist duo), Untitled, 2023
The central idea and motif of Matei Bellus and Andrea Bellus’ (bellu&bellu) untitled entry is furnished by the Ernst Bloch quotation: “… all things must simply be shifted a little”. The visual and spatial experience of visitors entering and exiting the Academy draws attention to fleeting and celestial phenomena.

Maximiliane Baumgartner, With the Book Trolley, 2023
Maximiliane Baumgartner’s entry With the Book Trolley is composed of two trolleys, the design of the display cases, and a painting that will result from a workshop initiating the artwork. The trolleys are for display purposes as well as for the mobile use of educational programs.

Maximiliane Baumgartner, With the Book Trolley, 2023
Maximiliane Baumgartner’s entry With the Book Trolley is composed of two trolleys, the design of the display cases, and a painting that will result from a workshop initiating the artwork. The trolleys are for display purposes as well as for the mobile use of educational programs.

Silke Wagner, Schalom Shalom, neon light installation, animated, 2023
Set against a light gray background, the animated neon light installation Schalom Shalom by Silke Wagner greets Academy visitors and staff as they enter and leave. The word shalom is a Hebrew greeting which means both hello and goodbye. It also stands for the values championed by the Academy, such as justice, trust, peace and collective welfare.

Silke Wagner, Schalom Shalom, neon light installation, animated, 2023
Set against a light gray background, the animated neon light installation Schalom Shalom by Silke Wagner greets Academy visitors and staff as they enter and leave. The word shalom is a Hebrew greeting which means both hello and goodbye. It also stands for the values championed by the Academy, such as justice, trust, peace and collective welfare.
Exhibition Information at a Glance
- When 5 Jul to 10 Sep 2023
- Where W. M. Blumenthal Academy, Diaspora Garden
Fromet-und-Moses-Mendelssohn-Platz 1, 10969 Berlin
See Location on Map