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“The Part Black Soldiers Played in the Liberation of Germany from Nazism has been Largely Neglected”

Three Questions to Marion Kraft

On 6 July 2016, we introduced the anthology “Children of the Liberation” in the “New German Stories” series. Our guests were the editor Marion Kraft and the authors Ika Hügel-Marshall and Judy Gummich. They spoke about the experiences and perspectives of Black Germans of the post-war generation and thus shed light on a little-known part of German history and American-German relations. The volume unites the biographies and voices of a variety of authors and addresses questions of racism in the past and present as well as the diverse reality of Black people in Germany today.

On 5 July 2016 Serpil Polat asked the editor Marion Kraft the following three questions:

How did the idea for this project come about and what was your personal motivation in realizing it?

The idea for the book came about in fall 2014 in the course of talking to some of the authors, who, like myself, were born in post-war Germany to white German women and African-American soldiers. What struck us in particular was that on the one hand the part played by these soldiers in the liberation of Germany from Nazism has been largely neglected in the recording of history and on the other hand, the experiences of racism Black people had to make in postwar Germany were in danger of being forgotten. We also found that current socio-historical research projects on the postwar era often paint a very one-sided picture of the so-called “colored children of occupation.” Thus we felt it important to make our voice heard to mark the 70th anniversary of the end of the war in 2015.

What is the origin of the title Children of the Liberation and who is meant?

The title Children of the Liberation refers to the liberation of Germany from fascism, which the African-German-American journalist and witness of the time Hans-Jürgen Massaquoi referred to as the much-deserved demise of one of the most brutal systems of rule. “Liberation” stands in contrast to the term “occupation,” which is still used sometimes, and at the same time refers to liberation from the discriminating labels that prevailed for a long time to describe the children of Allied soldiers and German women, in particular the Black children. The book title also describes the experiences of the people who, against all odds, took the positive crafting of their lives into their own hands.

Book cover: Children of Liberation.

Book cover Kinder der Befreiung (Children of the Liberation); Unrast Verlag

The book combines various facets – historical and academic analyses, biographical narratives, interviews, and literary texts. What is the concept behind this variety of approaches and texts?

The concept behind this is to illuminate this part of suppressed history from different perspectives. My introduction sorts the experiences of the post-war generation into the long history and current situation of Black people in Germany. The biographical narratives and interviews that follow propose alternatives to a recording of history determined by the power structures, and are bound by various scientific analyses into a collective experience. We also included some lyrical texts because they can provide a special means of reflection. Thus the volume is aimed at a diverse readership and provides various stimuli to analyze the history of and fight the still persistent forms of racism.

The questions were posed by Serpil Polat (Academy program on migration and diversity), who does her own research on biographies and racism.

Porträt einer Frau mit Brille, die lächelt und direkt in die Kamera schaut

Marion Kraft; photo: private

Citation recommendation:

Serpil Polat (2016), “The Part Black Soldiers Played in the Liberation of Germany from Nazism has been Largely Neglected”. Three Questions to Marion Kraft.
URL: www.jmberlin.de/en/node/6295

Interview Series: New German Stories (12)

  • New German Stories

    From 2014 to 2017, our colleagues from the Academy program on migration and diversity held regular events at the Jewish Museum in a series called New German Stories. The guests' lives speak to Germany, past and present, as a society of migration, and the events take these life stories as a springboard for exploring these themes. Beforehand, the guests were almost always interviewed. We have compiled these interviews for you here.

  • Karamba Diaby is sitting on a staircase, wearing a blue suit with a red check tie.

    Karamba Diaby

    “We should close this representation gap”

    Interview
    26 May 2017

  • Portrait of an elderly lady with a bun

    Anita Awosusi

    On her book Our Father – A Sinti Family Recounts

    Interview
    6 Feb 2017

  • Black and white portrait of a young man with glasses in half profile

    Ármin Langer

    “The boredom of peaceful coexistence”

    Interview
    18 Oct 2016

  • Portrait of a woman with glasses who smiles and looks directly into the camera.

    Marion Kraft

    “The part Black soldiers played in the liberation of Germany from Nazism has been largely neglected”

    Livestream
    6 Jul 2016

  • Portrait of a young woman smiling

    Çiçek Bacık

    “We’ve always been spoken and written about”

    Interview
    13 Oct 2015

  • Portrait of a woman with a blue headscarf, lipstick and eye shadow, looking upwards to the left.

    Fereshta Ludin

    “I wish more people would look in my eyes instead of at my scarf”

    Interview
    16 Sep 2015

  • Black and white portrait of a man.

    David Ranan

    “Other but not foreign”

    Interview
    6 Jul 2015

  • Detail from a book cover: it shows a fish wrapped in newspaper, with its head and tail fin visible.

    Ahmad Milad Karimi

    On his book Osama bin Laden is Sleeping with Fishes

    Interview
    9 Mar 2015

  • Portrait of a woman with glasses who smiles and looks directly into the camera

    Alina Gromova

    Generation “kosher light”. Young Jews of Russian descent in Berlin

    Interview
    8 Sep 2014

  • An older woman with glasses and headscarf (left in the picture) is talking to a younger woman who also wears glasses and is standing at the right edge of the picture.

    Canan Turan

    Kıymet or: A cinematic tribute to my grandmother

    Interview
    4 Jul 2014

  • On the cover you can see a photo of three playing children

    Urmila Goel and Nisa Punnamparambil-Wolf

    InderKinder
    Dealing creatively with ethnic classifications

    Interview
    19 Mar 2014

  • Three women in profile at a table, smilingly signing books

    Alice Bota, Khuê Pham, and Özlem Topçu

    “New German stories”

    Interview
    29 Jan 2014

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