Daniel Schönpflug
Interview and Photo from the Frédéric Brenner – ZERHEILT: HEALED TO PIECES Exhibition Opening
My name is Daniel Schönpflug. I’m a historian and work at the Wissenschaftskolleg zu Berlin (Berlin Institute for Advanced Study).
Where did the idea for your portrait’s staging and setting come from?
Frédéric Brenner must have been inspired by the institute and the Villa Walther in particular because he also took the legendary portrait of Carey Harrison there. During my shoot, Frédéric asked me to forget about not just the camera, but my surroundings. At some point my eyes closed and I sank into myself. It was a special moment that he captured with his camera.
How do you experience Jewish life in Berlin?
I am not Jewish in the narrower sense. For me, the Jewish Museum has long been one of the places where I can delve into the complexity of my family history and contemplate what it means for me. It is good to know that the archive of my ancestors is being preserved here.
Describe your life in Berlin in three adjectives.
Free, hungry, contradictory.
What would your wish be for the future of Jewish life in Berlin?
There are two trends I’m observing with great concern: the growing threat confronting Jewish life in Berlin, but also the deepening rifts within the Jewish community. How can these spirals be stopped? I don’t have a prescription, but maybe it would help if people closed their eyes every now and then. It could be a start. The moment before talking with (not about) each other.
Citation recommendation:
Jewish Museum Berlin (2021), Daniel Schönpflug. Interview and Photo from the Frédéric Brenner – ZERHEILT: HEALED TO PIECES Exhibition Opening.
URL: www.jmberlin.de/en/node/8455