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How school children react to the tour through the exhibition Welcome to Jerusalem. A conversation with Marc Wrasse

Campaign for the exhibition Welcome to Jerusalem; Jewish Museum Berlin, designed by: Preuss und Preuss GmbH

You’ve worked for the Jewish Museum Berlin for many years, as well as for other museums. What makes this exhibition special?

The Jewish Museum Berlin has a wide variety of visitors—the audience here is nearly as diverse as the modern world itself. If you visit the museum or work here, you can have a lot of different experiences, including in experimental exhibitions such as Obedience (more information about the exhibition on our website). Due to their social and political significance, I always find encounters during tours through Welcome to Jerusalem (more on our website) to be something special. Muslim students in particular—and that label encompasses much variety, ranging from the third-generation Turkish people in Germany to Syrian war refugees with their anti-Israeli background—are highly attentive in this exhibition.

Why is that, in your opinion?

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What makes Rosh ha-Shanah special

The Jewish year 5778 begins today—and with it a very special time for the Jewish community worldwide. Rosh ha-Shanah is the beginning of the High Holy Days, the Yamim Noraim (literally “Days of Awe”) as they’re known in Hebrew.
I asked around my friend group a bit to find out what Rosh ha-Shanah means to them personally: → continue reading

The Italian Writer Elena Loewenthal Reflects on Strong Jewish Women in the Torah

The current exhibition Cherchez la Femme, which explores religious dress codes for women from women’s perspectives, remains on display until 27 August (more about the exhibition on our website). When I first found out the exhibition’s theme, I immediately thought of the novel Attese (2004) by the Italian author Elena Loewenthal. (The title means either “expectations” or “times of waiting.”) In four extended sections, the novel tells the stories of different Jewish female characters throughout the ages. But the novel’s real main character is a mysterious veil that follows the protagonists from Biblical times to modern-day Venice.

Veils in the exhibition Cherchez la femme; Jewish Museum Berlin, photo: Mirjam Bitter

We can read the veil as a metaphorical vessel of Jewish memory that women have guarded and passed on, a vessel that embodies recollection and forgetting, tradition and renewal. Indeed, the reasons each woman in the novel dons the veil are not only cultural (such as marking mourning) but personal: each of them reshapes it, sews in her own threads, or at least cultivates an idiosyncratic relationship with the garment she inherited. → continue reading