Our Museum Gardens
Green Oases in the Middle of the Kreuzberg District
Two gardens round out the building ensemble of the Libeskind building and the Old Building. They offer our visitors a place to relax and at the same serve as a backdrop for various events such as garden parties for the whole family, concerts, and readings during our annual Cultural Summer Program. Admission to the garden area is of course free of charge.
Where
Museum Garden
Lindenstraße 9–14, 10969 Berlin
The Museum Garden by Kollhoff and Ovaska
A garden was created behind the Old Building between 1984 and 1988 for what was then the Berlin Museum, based on the design by architects Hans Kollhoff and Arthur Ovaska. The project was part of the International Building Exhibition (IBA) and was entered as a garden monument in the list of the Berlin State Office for Historic Monuments. The starkly geometrical garden design includes an arcade, a small cluster of plane trees, and a circular fountain of red granite in the back section. In the summer months our guests can take a break on lounge chairs on the lawns planted with crab apple trees. The garden is also the site of the Sunday concerts in our popular Jazz in the Garden series, part of our Cultural Summer Program.
The Museum Garden by Kollhoff and Ovaska; Jewish Museum Berlin, photo: Jens Ziehe
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Views of the Museum Garden
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Garden behind the Old Building based on a design by architects Hans Kollhoff and Arthur Ovaska, Jewish Museum Berlin, photo: Jens Ziehe
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An arbor leads from the Old Building to the garden; Jewish Museum Berlin, photo: Jens Ziehe
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The round fountain at the rear of the garden is especially popular with children in the summertime; Jewish Museum Berlin, photo: Christine Sliwinski
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In the summer, regular concerts are held in our Jazz in the Garden series; Jewish Museum Berlin, photo: Christine Sliwinski
Garden behind the Old Building based on a design by architects Hans Kollhoff and Arthur Ovaska, Jewish Museum Berlin, photo: Jens Ziehe
The round fountain at the rear of the garden is especially popular with children in the summertime; Jewish Museum Berlin, photo: Christine Sliwinski
The Gardens around the Libeskind Building
Another garden on the grounds around the Libeskind building, created by Berlin landscape architects Cornelia Müller, Elmar Knippschild, and Jan Wehberg, responds to the architecture’s use of form. Thus the freestanding structures originally planned by Daniel Libeskind in the form of the “voids,” the empty spaces in the interior of the building, are echoed as gravel footprints. A rose garden around the Garden of Exile recalls that in Jerusalem during the days of the Holy Temple, the rose was one of the few plants permitted to be cultivated there on ritual grounds.
Adjacent to the roses, a natural stone relief set into the ground is based on a drawing by artist Gisèle Celan-Lestrange, widow of poet Paul Celan. It continues in the area between the Old Building and the Libeskind building in the Paul Celan courtyard, designed to recall a typical Berlin courtyard.
Views of the Garden around the Libeskind Building
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A garden around the Libeskind building, created by Berlin landscape architects Cornelia Müller, Elmar Knippschild, and Jan Wehberg, responds to the architecture’s geometry; Jewish Museum Berlin, photo: Jens Ziehe
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Areas of gravel mark the spaces where Daniel Libeskind originally planned additional free-standing “Voids”; Jewish Museum Berlin, photo: Svenja Kutscher
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The paulownia is said to have been Paul Celan’s favorite tree. The relief on the ground is based on a design by the artist Gisèle Celan-Lestrange; Jewish Museum Berlin, photo: Jens Ziehe
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To the north of the Libeskind building, the relief continues in the Paul Celan courtyard, which was designed to recall a typical Berlin courtyard; Jewish Museum Berlin, photo: Jens Ziehe
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A rose garden around the Garden of Exile; Jewish Museum Berlin, photo: Jens Ziehe
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The garden, with playground equipment and seating, extends all the way to the adjoining residential area; Jewish Museum Berlin, photo: Svenja Kutscher
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A snake-shaped fountain winds through the locust grove in the Paradise Garden at the end of Alte Jakobstrasse, Jewish Museum Berlin, photo: Svenja Kutscher
A garden around the Libeskind building, created by Berlin landscape architects Cornelia Müller, Elmar Knippschild, and Jan Wehberg, responds to the architecture’s geometry; Jewish Museum Berlin, photo: Jens Ziehe
Areas of gravel mark the spaces where Daniel Libeskind originally planned additional free-standing “Voids”; Jewish Museum Berlin, photo: Svenja Kutscher
The paulownia is said to have been Paul Celan’s favorite tree. The relief on the ground is based on a design by the artist Gisèle Celan-Lestrange; Jewish Museum Berlin, photo: Jens Ziehe
To the north of the Libeskind building, the relief continues in the Paul Celan courtyard, which was designed to recall a typical Berlin courtyard; Jewish Museum Berlin, photo: Jens Ziehe
The garden, with playground equipment and seating, extends all the way to the adjoining residential area; Jewish Museum Berlin, photo: Svenja Kutscher
The park extends to the south into the adjacent residential area, thus connecting the Libeskind building with its surroundings. At the end of Alte Jakobstrasse is the Paradise Garden, where a Robinia (false acacia) grove grew as a volunteer atop a postwar pile of rubble. A stone fountain in the shape of a snake and a channel that feeds the fountain at the base of a tree refer to the motif of paradise.
Our Buildings: Daniel Libeskind and the Baroque Era (6)
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Daniel Libeskind and the Baroque Era
The architecture of the Jewish Museum Berlin bears the distinctive fingerprints of Daniel Libeskind. The American architect designed the main museum building, but also the W. Michael Blumenthal Academy and the Glass Courtyard. The building compound also includes a baroque palace and a garden from the 1980s that is a protected landmark.
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The Libeskind Building
With his “Between the Lines” design, American architect Daniel Libeskind did not want simply to design a museum building, but to recount German-Jewish history.
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The Old Building
The former Collegienhaus is the last extant baroque palace in the historic Friedrichstadt neighborhood. The erstwhile Seat of the Royal Court of Justice is now the museum’s entrance with exhibition spaces on the upper level.
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The W. Michael Blumenthal Academy
A former wholesale flower market was refurbished based on Libeskind’s In-Between Spaces design. With three cubes, the visual language echoes the architecture of the rest of the museum
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The Glass Courtyard
The Glass Courtyard was designed by Daniel Libeskind, who drew inspiration from a sukkah (Hebrew for thatched hut). With a glass and steel structure, it covers the inner courtyard of the baroque Old Building.
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The Diaspora Garden
The Diaspora Garden is located in the W. Michael Blumenthal Academy’s inner courtyard. Four “plateaus” that seem to be floating midair are planted with species related to Jewish life or with their own history of dispersion.
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Our Museum Gardens
Behind the Old Building and around the Libeskind Building, two garden areas round out our grounds and allow our visitors to take a reflective break before and after their time in the museum.
