Golem and a Little Girl
Article in the Exhibition Catalogue GOLEM
Helene Wecker
I know a woman, a very deluded woman, who believes in the natural wisdom of children. To her, they are oracles who speak and act in holy innocence, free of the failures that accrue to us like clay as we grow older, the acclimatizations and indoctrinations, equivocations and cynicisms. Our children could repair the entire world, she says, if only we would let them, if only we would listen. She says this as, through the open window, we can hear the shrieks of her own boy and girl, the latest skirmish in their war.
We're afraid for our children, of course. We worry that this time, in this generation, we really have gone too far: The monsters we've created will run amok at last, loose among the children. So we create stories in which the innocence of children, their blamelessness, is their saving grace. Once upon a time we pitted them against slavering wolves in spinsters' dresses, and crooked witches with empty cauldrons. Then we wrote tales in which they had to escape the earth itself, after we, their guilty forerunners, transformed it and bent it to our will, with only the best of intentions.
I know why we tell these stories. They have power to give us solace, and even plan a way forward. But sometimes escapism can shade into self-delusion, a moral failure to tell the truth. The monsters we have built will not be toppled by innocence. I look at my own children, and I pray that they will fight the monsters and win. But I also wonder about the monsters that they themselves will create in the attempt.
Helene Wecker is an US-American writer. She worked for advertising and communication agencies before deciding to study creative writing at the Columbia University. Her first novel, The Golem and The Jinni, was published in 2013. Its sequel is scheduled for 2018.
Citation recommendation:
Helene Wecker (2016), Golem and a Little Girl. Article in the Exhibition Catalogue GOLEM.
URL: www.jmberlin.de/en/node/4701
Online Edition of the GOLEM Catalog: Table of Contents
- Landing Page
- The Golem in Berlin: Introduction by Peter Schäfer
- Chapter 1
- The Golem Lives On: Introduction by Martina Lüdicke
- My Light is Your Life: Text by Anna Dorothea Ludewig
- Avatars: Text by Louisa Hall
- The Secret of the Cyborgs: Text by Caspar Battegay
- Chapter 2
- Jewish Mysticism: Introduction by Emily D. Bilski
- Golem Magic: Text by Martina Lüdicke
- Golem, Language, Dada: Text by Emily D. Bilski
- Chapter 3
- Transformation: Introduction by Emily D. Bilski
- Jana Sterbak’s Golem: Objects as Sensations: Text by Rita Kersting
- Crisálidas (Chrysalises): Text by Jorge Gil
- Rituals: Text by Christopher Lyon
- A Golem that Ended Well: Text by Emily D. Bilski
- On the Golem: Text by David Musgrave
- Louise Fishman’s Paint Golem: Text by Emily D. Bilski
- Chapter 4
- Legendary Prague: Introduction by Martina Lüdicke
- Golem Variations: Text by Peter Schäfer
- Rabbi Loew’s Well-Deserved Bath: Text by Harold Gabriel Weisz Carrington
- Chapter 5
- Horror and Magic: Introduction by Martina Lüdicke
- Current page: Golem and a Little Girl: Text by Helene Wecker
- The Golem with a Group of Children Dancing: Text by Karin Harrasser
- Bringing the Film Set To Life: Text by Anna-Carolin Augustin
- Golem and Mirjam: Text by Cathy S. Gelbin
- Chapter 6
- Out of Control: Introduction by Emily D. Bilski
- Golem—Man Awakened with Glowing Hammer: Text by Arno Pařík
- Dangerous Symbols: Text by Charlotta Kotik
- Be Careful What You Wish For: Text by Marc Estrin
- Chapter 7
- Doppelgänger: Introduction by Martina Lüdicke
- From the Golem-Talmud: Text by Joshua Cohen
- Kitaj’s Art Golem: Text by Tracy Bartley
- The Golem as Techno-Imagination?: Text by Cosima Wagner
- See also
- GOLEM: 2016, online edition with selected texts of the exhibition catalog
- GOLEM: 2016, complete printed edition of the exhibition catalog, in German
- Golem. From Mysticism to Minecraft: Online Feature, 2016
- GOLEM: Exhibition, 23 Sep 2016 to 29 Jan 2017