Jewish Mysticism
Chapter 2 of the Exhibition Catalogue GOLEM: Introduction
Emily D. Bilski
Jewish mystics of the Middle Ages viewed the creation of a golem as an attempt to get closer to God and achieve spiritual perfection. They formed golems out of dust or clay and brought them to life using incantation formulas, ritual acts, and certain combinations of Hebrew letters. In these rituals, mystics emphasized first and foremost the process of creation: the procedure itself was more important than the purpose a golem could serve. Thus, right after it was brought to life, a golem was returned to its inanimate state.
The question of whether and how a human can create an artificial being has preoccupied rabbis since Talmudic times. The pious, it was said, could create a world. But their sins limited this creative ability to such an extent that all attempts resulted only in imperfect, soulless, and mute beings.
Emily D. Bilski is an art historian, the main focus of her work is the interface between art, cultural history, and the modern Jewish experience as well as contemporary art. She works as a curator and counselor for museums in the United States, Europe, and Israel. Her books Berlin Metropolis: Jews and the New Culture: 1890-1918 (1999) and Jewish Women and Their Salons: The Power of Conversation (2005) were both awarded the National Jewish Book Award.
Citation recommendation:
Emily D. Bilski (2016), Jewish Mysticism. Chapter 2 of the Exhibition Catalogue GOLEM: Introduction.
URL: www.jmberlin.de/en/node/4685
Online Edition of the GOLEM Catalog: Table of Contents
- The Golem in Berlin: Introduction by Peter Schäfer
- Chapter 1
- The Golem Lives On: Introduction by Martina Lüdicke
- My Light is Your Life: Text by Anna Dorothea Ludewig
- Avatars: Text by Louisa Hall
- The Secret of the Cyborgs: Text by Caspar Battegay
- Chapter 2
- Current page: Jewish Mysticism: Introduction by Emily D. Bilski
- Golem Magic: Text by Martina Lüdicke
- Golem, Language, Dada: Text by Emily D. Bilski
- Chapter 3
- Transformation: Introduction by Emily D. Bilski
- Jana Sterbak’s Golem: Objects as Sensations: Text by Rita Kersting
- Crisálidas (Chrysalises): Text by Jorge Gil
- Rituals: Text by Christopher Lyon
- A Golem that Ended Well: Text by Emily D. Bilski
- On the Golem: Text by David Musgrave
- Louise Fishman’s Paint Golem: Text by Emily D. Bilski
- Chapter 4
- Legendary Prague: Introduction by Martina Lüdicke
- Golem Variations: Text by Peter Schäfer
- Rabbi Loew’s Well-Deserved Bath: Text by Harold Gabriel Weisz Carrington
- Chapter 5
- Horror and Magic: Introduction by Martina Lüdicke
- Golem and a Little Girl: Text by Helene Wecker
- The Golem with a Group of Children Dancing: Text by Karin Harrasser
- Bringing the Film Set To Life: Text by Anna-Carolin Augustin
- Golem and Mirjam: Text by Cathy S. Gelbin
- Chapter 6
- Out of Control: Introduction by Emily D. Bilski
- Golem—Man Awakened with Glowing Hammer: Text by Arno Pařík
- Dangerous Symbols: Text by Charlotta Kotik
- Be Careful What You Wish For: Text by Marc Estrin
- Chapter 7
- Doppelgänger: Introduction by Martina Lüdicke
- From the Golem-Talmud: Text by Joshua Cohen
- Kitaj’s Art Golem: Text by Tracy Bartley
- The Golem as Techno-Imagination?: Text by Cosima Wagner
- See also
- GOLEM: 2016, online edition with selected texts of the exhibition catalog
- GOLEM: 2016, complete printed edition of the exhibition catalog, in German
- Golem. From Mysticism to Minecraft: Online Feature, 2016
- GOLEM: Exhibition, 23 Sep 2016 to 29 Jan 2017